Muzeum romské kultury vzniklo v roce 1991 jako nevládní nezisková organizace založená Společností odborníků a přátel Muzea romské kultury z iniciativy několika romských intelektuálů, romistů a dalších odborníků. Muzeum se stalo výzkumným, dokumentačním a prezentačním centrem romské kultury, tradic, historie a současnosti. Jde o ojedinělou instituci svého druhu v Evropě. Od roku 2005 je Muzeum romské kultury státní příspěvkovou organizací zřízenou Ministerstvem kultury ČR.Fond obsahuje audio nahrávky na nosičích (Magnetofonové pásy, LP, CD, MC, MD, CD-R, DVD-R, zálohovací a archivovací externí hard disky) Na nosičích se nacházejí nahrávky související s romskou tematikou: nahrávky romských pamětníků války, tradičního způsobu života atd, hudebníků, odborných přednášek atd).

Collection items are donated from the world to the village of Lidice since 1926 to the present.This is a different artistic objects such as paintings, sculptures, woodcuts, kovoryty etc.

Videoarchiv Muzea romské kultury obsahuje dokumentační záznamy z výzkumů (rozhovory, prostředí, pracovní postupy, atd.),vlastní video dokumentaci (vernisáže, koncerty, dílny, akce pro veřejnost),sběr (televizní zpravodajství, publicistika)filmy a dokumentární filmy s romskou tematikou.

The collection consists of a collection of porcelain (Europe, Bohemia, Jablonec region), stoneware (Europe, Bohemia, Jablonecko), the ethnographic objects, painted porcelain headers of pipes for smoking. It includes set of watches and clocks (Europe since the end of the 17th century to the 20th century) and furniture (Empire Style, Biedermeier, historicism).

The collection contains more than 440 digitized Bohemian periodicals published during the 19th and 20 centuries.

Fond fotodokumentace je jedním z prvních sbírkových fondů, které vznikly v Muzeu romské kultury. Již od roku 1991 kurátoři této sbírky systematicky shromažďují historické i současné fotografie, diapozitivy, pohlednice a jiný obrazový materiál, barevný i černobílý, který dokumentuje historii, způsob života a bohatou kultury romské etnika nejenom v České republice, ale i v řadě dalších zemí Evropy.

A programme for digitizing the image and text data of the archive. Called "Gallery of Personalities", it comprises 9,000 glass negatives chosen from the production of the Ateliér Langhans. It is divided into 10 categories: 1-actors, 2-politicians, 3-writers, 4-musicians, 5-army, 6-artists, architects, 7-judges, businessmen, 8-foreigners in the Czech lands, 9-clergy, 10-scientists.

The collection includes the works of regional visual artists (natives or with relationship to the region).

Collections of postcards named Orbis Pictus is one of the largest of its kind in our country. It includes over three hundred thousand pieces from the oldest items to the present.

The collection includes sculpturesmade in polychromous woodcut technique from the territory of the former historical Cheb county and its neighbourhood. The extent of the collection, considering the time point of view, is relatively very broad and includes works of the early Gothic (Master of the circle of the so-called Premysl's cross from Jihlava: Pieta, before 1350 A.D.) as well as the works of the culminating late Gothic period (Master of the Altar from the St. Jost Church: St. Christopher, around 1530 A.D.) The collection was arising gradually, partially by delimitation of some of the works of art from the collections of the Museum in Cheb, by purchase and also by the transmission from the state property (relics from destroyed or secularized church buildings). The collection owned by the art gallery is completed by several long-termed loans from the City Museum in Aš, the City Museum in Františkovy Lázně and church and local property (The office of the Arch dean of the Roman-Catholic Church in Cheb, The Town of Skalná). The sculptures that often got into the gallery collection in a completely desolate condition were treated with maximum possible care and the best specialists in conserving of the gothic polychromous woodcut participated on its saving from the half of the 60's when the collection started to be formed. The collection was originally placed in the former hospital church of St. Bartholomew which had to be though after the year 1989 by the gallery on the basis of the governmental resolution about the restitutions of the church property returned to its primary owner, the Knight order of the Crusaders with the Red Star. Within the project of the reconstruction and revitalization of the former Women's Franciscan convent church, the whole collection of the Gothic was moved to this unique historical building where it is permanently installed.

Elektronické kopie monografií týkajících se Prahy vydané převážně v 19. století a v 1. polovině 20. století

Digitální fotoarchiv Muzea umění Olomouc obsahuje digitální snímky uměleckých děl ze sbírek Muzea umění Olomouc, které tvoří tři části: Muzeum moderního umění, Arcidiecézní muzeum Olomouc a Arcidiecézní muzeum Kroměříž.

Collection of graphic art includes antohologies of Karel Němec, Michal Ranný and Emanuel Ranný st.

The Water Mill Valley is an area composed of technical buildings that have been located on the piece of land around the original millrace since 1982 – the Water Mill, the Woollen Mill for making cloth out of the wool yarn, the Saw Mill for sawing planks, the Oil Crusher and the Hammer Mill.

Digitální uložiště pro plné texty vysokoškolských kvalifikačních prací (plánuje se ukládat a zpřístupňovat i netextové práce, zejm, studenstké filmy, fotografie), zvukové záznamy pořízené digitalizací starších poškozených a vzácných LP desek. Objekty jsou dostupné (pokud má škola vyřešena autorská práva)prostřednictvím odkazů z elektronického katalogu knihovny.

Práce jsou české a moravské provenience, jenom několik kusů pochází od slovenských autorů.Až na několik výjimek z 19. století jsou ve sbírce kresby a grafiky z 20. století.

In the spring of 2006, the exhibition hall at the National Archives held an exhibition of archival documents named "The era of the reign of Charles IV and his family in the archival documents and records, which has been prepared by the National Archives in cooperation with the State District Archives Jihlava. It was decided to make available to the public at exhibits selected part (published in the catalogue) in digital form through the National Archives web site.

This subgroup was separated from the gallery collections with difference to the specification of their deposit. It was developed in seventies of 20the century but grown only very slowly. Due to its specialization this collection will grow only by production of designers representing the above-mentioned gallery collections. The aim is to gain convolute of paintings from our own designers, so the paintings can appropriately represent the author’s production.

In the context of the collections of the Gallery of Visual Art in Cheb, the collection of Middle European painting is not so far numerous, however, its systematic extension is one of the long-term special tasks. From the more important acquisitions that we lately succeeded to acquire and that will significantly enrich the collection it is necessary to mention for instance The Still Life with Birds by Jan Vojtěch Angermeyer (1674 - 1740), dated by 1702 or the painting Repenting Mary Magdalena by Peter Brandl (1668 - 1735) that is the author's replica of the same-named altar painting from the St. Wenceslas church in Mníšek pod Brdy.

Digital photographic documentation of the collection of paintings, drawings, prints and sculptures.

Sbírka Oblastní galerie Vysočiny v Jihlavě byla založena v r. 1953 darem paní Marie Kovaříkové a převodem z Krajského muzea, ke dni 31.7.2001 byla zařazena do Centrální evidence sbírek Ministerstva kultury ČR. Sbírka obsahuje celkem 6103 předmětů a je dále rozdělena do pěti podsbírek:grafiky: Nejstarší grafiky jsou z 19. století, ale jedná se o ojedinělá díla nebo cykly, většina podsbírky je z 20. století. Její základ tvoří nákupy galerie a převody z Krajského muzea, Národní galerie v Praze a MŠK. Vzhledem k choulostivosti materiálu není sbírka veřejnosti trvale prezentována.Podsbírka obsahuje listy rovedené nejrůznějšími grafickými technikami např. lepty, mědiryty, akvatinty, litografie, suché jehly, dřevořezy, linoryty, monotypy, kombinované autorské techniky a jedno bibliografické vydání životopisu B. Celliniho s ilustracemi Cyrila Boudy. Většinou je sestavena z autorských kolekcí českých a slovenských grafiků 20. století obsahujících více než 3 grafické listy, takže dokumentuje proměnu výtvarného názoru jednotlivých umělců nebo jde o autorské cykly z jednoho období.kresby a příbuzná papírová díla: Nejstarší kresby, které však tvoří asi 1 setinu počtu děl, jsou z 19. století, převážně podsbírka zahrnuje práce z 20. století. Základ podsbírky vznikl nákupy galerie a převody z Krajského muzea, Národní galerie v Praze a Ministerstva školství a kultury. Větší význam sbírka získala až v 90. letech 20. století, kdy byla vyčleněna z číselné řady grafiky a začala se nakupovat díla renomovaných autorů, jejichž tvorbu galerie neměla zastoupenu a z finančních důvodů nemohla zakoupit obrazy či plastiky. Samostatně není veřejnosti trvale prezentována vzhledem k choulostivosti materiálu.Podsbírku tvoří kresby různými médii např. uhlem, tužkou, tuší, rudkou, akvarelem, pastelem, ale i speciálními autorskými technikami - např. koláže, alchymáže, frotáže, froasáže. Raritou je 6 karikatur levicového amerického umělce Williama Groppera, které doplňují kolekci karikatur 50. let, získaných převodem z MŠK. Vedle významných kreslířů 19. a 20. století (např. Ant. Mánes, A. Mánesová, L. Marold, Toyen, A. Procházka, F. Tichý, V. Janoušková, Z. Fibichová, L. Novák, J. Seifert) obsahuje i práce reginálních umělců nebo ranou tvorbu řady osobností 2. poloviny 20. století, cca 25% kreseb má spíše historicko dokumentační než umělecké hodnoty.malba: Převážně od 19. století po současnost, několik prací je starších z 18.stol. (zatím nejsou odborně určeny) Podsbírka vznikla v r. 1953 převodem daru paní Marie Kovaříkové a převodem obrazů z Krajského muzea. Postupně narůstala nákupy galerie a převody z Národní galerie a Ministerstva školství a kultury. V posledním období se rozrůstá nákupy a dary galerii. Jádrem kolekce je malba z 40. - 60. let 20. století. Po r. 1989 se doplnila kolekce autorů 60. let 20. stol. a regionálních autorů, kteří nemohli být v minulých desetiletích do sbírky zařazeni. Díky mimořádným příspěvkům MK ČR bylo zakoupeno několik děl z 1. pol. 20. stol. - např. J. Šíma, V. Tikal a 2. pol. 20. stol. - R. Piesen.Podsbírku tvoří převážně olejomalby, v menší míře tempery a nové malířské techniky. Vedle maleb českých, slovenských, moravských, slezských, německých a židovských umělců narozených nebo žijících na území bývalého Československa obsahuje i několik prací ruské a středoevropské provenience. Kolekce je zatím budována jako vývojová, dokumentující různé proměny výtvarného názoru a významné osobnosti celostátní a regionální. Malba je pravidelně prezentována v různých instalacích stálé expozice a výstavách doma i v zahraničí.plastiky: Nejstarší plastiky pocházejí z 2. poloviny 19. století, ale jedná se o ojedinělá díla. Převážná většina podsbírky plastiky pochází z 20. století. Základ podsbírky vznikl nákupy galerie, dále pak převody z Národní galerie a Ministerstva školství a kultury a dary. Nejvýznamnější díla podsbírky plastiky jsou prezentována ve stálé expozici galerie.Podsbírku plastiky převážně tvoří volné plastiky, dále jsou zastoupeny reliéfy, medaile a plakety. Z materiálů v podsbírce převažuje bronz, dalšími materiály jsou kámen, dřevo, sádra, sklo, keramika...výstavní kolekce kreseb a grafik: Nejstarší práce jsou z 2. poloviny 19. století, většina z 20. století. Podsbírka vznikla v letech 1958-1967 převážně nákupy galerie. Díla do ní zařazená byla určena pro vytvoření trvalých výstavních souborů (tzv. putovních výstav), které byly nabízeny školám a kulturním zařízením jako dlouhodobé zápůjčky.Po r. 1989 byly jednotlivé "putovní výstavy" stahovány do galerie a s díly zacházeno ve sbírkovém režimu. V r. 2000 byla podsbírka započítána do celkového počtu sbírkových děl Oblastní galerie Vysočiny v Jihlavě (do té doby jako sbírkové předměty vedena nebyla) a rozdělena podle autorů.Podsbírka je převážně tvořena grafickými listy a menší část jsou kresby různými technikami. Původní výstavní kolekce např.: "Město očima grafika", "Mladá česká grafika", "Vysočina v dílech výtvarných umělců", "T.F. Šimon", "Max Švabinský" mají různou uměleckou úroveň. Některé kolekce např. "Stavby socialismu" jsou spíše historicko - dokumentační úrovně, jiné např. "Max Švabínský" nebo "T.F. Šimon" obsahují kvalitní práce a proto byla podsbírka převedena do sbírkového fondu.

Digitální knihovna NFA obsahuje filmová periodika ze sbírek knihovny Národního filmového archivu, které byly vydány na území dnešní České republiky.

The collection of Jan and Meda Mládek contains works made by Frantisek Kupka and Otto Gutfreund and modern arts of the 60th, 70th and 80th years. Collection of Jindřich Chalupecký was created between years 1988-1989 to help sick author. It contains the works of Czech and Slovak authors mostly from the 70th and 80 years. Collection of Jiří and Běla Kolář was originally a private set without thematic focus. It includes works from various time periods and Czech and foreign authors.

The collection includes archaeological, ethnographic, photographic, natural sciences and social sciences subsets.

Collection of 39 paintings includes art of Theodor Rousseau, Charles-Francoise Daubigny etc and unique set of paintings made by Eugen Boudin, ancestor of French impressionism.

The gallery is dedicated to creating, managing and making accessible a collection of 19th- and 20th-century art, including work by contemporary artists.Digital collection includes data files and digitalized pictures of arts stored in DEMUS application.

Collection includes outputs from digitisation workplace at NTM. It includes digital images of 2D collection items (photo negatives, posters, company prints) and historical books.

Zlatý fond Národního muzea fotografie je první sbírkou muzea. Jedná se o soubor fotografií současných českých autorů žijících v českých zemích i v zahraničí. Koncepce této sbírky spočívá na darování dvou autorských fotografií, z nichž jedna je zařazena do sbírky a jedna je určena pro založení Nadace Národního muzea fotografie

The Little Wooden Town is the oldest part of the museum. The setting roughly imitates the Rožnov square which boasted a number of local burghers’ timbered houses up to the second half of the nineteenth century.

The Gallery of Art Náchod includes several subgroups focused mainly to the art of the Eastern Europe. Czech and Russian paintings ariginated mainly from 19th and 20th centuries, but there are individual items which come from 17th century.

Hana Benesova, whose maiden name was Anna Vlckova, was the wife and life-long partner of Czechoslovakian president Dr. Edvard Benes.The bequeathed estate comprises historical furniture in various styles (Gothic, Renaissance, Baroque, Classicism and pieces from the 19th and 20th centuries). Some furniture was probably purchased during their exile stay in England. Moreover, the bequeathed estate comprise a number of significant works of art – paintings (by A. Slavicek, J. Preisler, V Rabas and others), graphics (engravings by Hollar, historic maps and so on), sculptures and applied art (glass, ceramics, lamps and art lattices), components of folk costumes and personal things. Written documents comprise correspondence and various receipts and other documents and also photos.

Fund includes original digital data and digitized printed or other documents. Currently it includes monographs focused on František Bartoš and region of Zlín and .

Česká a moravská provenience převážně 20. stoletíPředmět: design, hračky, textilie, křišťál, multimédia, videokazety, architektura(modely).

Fund includes original digital data and digitized printed or other documents. Currently it includes periodicals focused on region of Zlín.

Collection of Czech modern art includes pictures and drawings since the end of the 19th century.Second part of the collection takes in production of well known or anonymous Czech and European masters.

The collection includes digital images of manuscripts and old prints from the collection funds of National Museum Library.

Sbírku tvoří zdigitalizována část fyzické sbírky daguerrotypií Uměleckoprůmyslového muzea v Praze.

The collection set includes images painted on glass from collection fund of Museum Šumperk. Main part of paintings is from North-west Moravia, South Bohemia, Silesia.

Obrazová sbírka je nejvýznamnějším oddílem Krajské galerie výtvarného umění ve Zlíně. Sbírka je převážně české a moravské provenience. Pouze její malá část byla vytvořena slovenskými a jinými evropskými autory.Podstatnou část sbírky tvoří obrazy 20. století, menší pak díla 19. století. Součástí je i několik děl, která vznikla v rozmezí 16.-18. století.

Digitalized collection of unique photographs from the personal collection of Gymnazium professor and Decin's first district archivist and amateur photographer Franz Queißer (1876 - 1945). The photographic legacy includes shots of folk architecture, church bells, baptismal fonts, and minor monuments in the Liberec, Ceska Lipa, Decin, and Usti regions, with a few photos from northern Moravia, from 1930 to 1942. It is a unique documentation of the region, perserved, unfortunately, only in fragments. About 200 photos are probably lost.

Sbírka je převážně české a moravské provenience. Až na několik výjimek z druhé poloviny 19. století vznikla díla ve 20. století. Předmět: plastiky, skulptury, plakety, reliéfy, gobelíny.

Collection of Czech Modern Art is the largest part of exhibiton. It includes great number of paintings and sculptures from generation of Czech Modern founders, interwar outpost artists and artistic groups Ra or Group 42. Siginificant part of collection takes in artworks of the 1950's, 1960's and 1970's.

Digitized collection contains digital images of items from following physical subcollections: History, Ethnography, Archaeology, Komenský in art, Art of region, Old prints.

A programme for digitizing the image and text data of the archive. Called "Gallery of Personalities", it comprises 9,000 glass negatives chosen from the production of the Ateliér Langhans. It is divided into 10 categories: 1-actors, 2-politicians, 3-writers, 4-musicians, 5-army, 6-artists, architects, 7-judges, businessmen, 8-foreigners in the Czech lands, 9-clergy, 10-scientists.

Digital Library of VKOL includes 65 manuscripts, 5 old prints and 3 maps . These are the most precious documents of VKOL. The library includes 4 digitized national monuments.

The collection sets of the Museum of Glass and Jewellery in Jablonec nad Nisou comprises tens of thousands of inventory numbers which mark hundreds of thousands of articles. The Museum of Glass and Jewellery is in charge of two large collection groups – the museum collection which has nineteen sub-collections and Waldes collection with two sub-collections. The sub-collections can be divided into basic (costume jewellery, books and magazines, buttons, metal costume jewellery, glass costume jewellery, medals and plaques, numismatic collection, Sachs collection, glass, Riedel glass, arts and crafts) and supplementary ones (costume jewellery technology, graphics, clothes accessories, copies, special collections and Waldes collection with its sub-collections of buttons, fasteners and clothes accessories).

Collection of sculptures includes artworks of Jan Štursa, Vincenc Makovský, Karel Pokorný, Josef Mařatka, Jan Lauda, Ladislav Martínek.

Collection of glass art includes artworks glass factory in Škrdlovice (Žďár nad Sázavou) and artworks of František Vízner and Jaroslav Svoboda.

Passion play about Lord's martyrdom from Železný brod - Thetrum Passionale from 1791 - 1793 is probably the first known Czech entire text about Passion mystery. The play has been played since 1752, during the year were banned by churchs, but the creators recorded it in writing.

The collection includes digitised glass negatives from the late 19th and the early 20th century with links to the region.

The collection includes digital records of rare manuscripts and old prints stored in the National Library of the Czech Republic.

The collection includes digital copies of documents from the fund of Moravian library and original documents on a physical medium.

The collection sets of the Museum of Glass and Jewellery in Jablonec nad Nisou comprises tens of thousands of inventory numbers which mark hundreds of thousands of articles. The Museum of Glass and Jewellery is in charge of two large collection groups – the museum collection which has nineteen sub-collections and Waldes collection with two sub-collections. The sub-collections can be divided into basic (costume jewellery, books and magazines, buttons, metal costume jewellery, glass costume jewellery, medals and plaques, numismatic collection, Sachs collection, glass, Riedel glass, arts and crafts) and supplementary ones (costume jewellery technology, graphics, clothes accessories, copies, special collections and Waldes collection with its sub-collections of buttons, fasteners and clothes accessories).

The collection contains more than 570 digitized Bohemian periodicals published during the 18th, 19th and 20 centuries.

he digital collection includes glass-making - the design of glass and glass art - original glass objects and sculptures from the Czech authors of the 20th century.

The collection consists of two parts - historical glass collection and collection of 20th century (modern glass and design). Most of items is a production of Czech glasshouses but there are set of glass products from Germany and France.

This collection is focused on glasshouse company Josef Riedel Polubný, which includes both finished products and semi-finished products. Most of items are from the second half of the 19th and 20th century, Collection includes hollow glass, lamps and chandeliers.

This electronic publication is dedicated to Šumava German literature. Each is represented by the author presented examples of works in translation, in the case of poetry in the original version, medallion and a short video Annex, part of the publication is also a study in the Czech and German. The work of emerging since 1990 includes authors from the Sumava in its wider cross-border demarcation and other authors dealing with the issues from the Middle Ages to the present day.Continuous supplemented work currently contains information on 891 authors. It was made up of more than 2500 examples, biographical data, medallions, bibliographic references, 5500 documents in image annex with explanations and dictionary of regional terms, all with the possibility of full text search.

The collection includes objects mainly from district of Rumburk city, district of Děčín, Germany, Austria and Czech Republic.The oldest items are archaeological finds comes from the Paleolithic.Collection also includes glass, ceramics, furniture, paintings, betlehems, estate of musician and composer Augusta Stradal - the last pupil of F. Lizst, collection of guns, numismatics and medals, clock and historical documents about revolt in Rumburk at the end of First World War

Collection of Paintings includes antohologies of Oldřich Blažíčka, Josef Jambor, Bohdan Lacina, Michal Ranný, Bohumír Matal.

Digitální textová a obrazová dokumentace sbírkových předmětů ve správě Regionálního muzea v Litomyšli.Sbírkový fond RML má charakter nespecializované regionálně-historické sbírky, jež dokumentuje vývoj hmotné kultury a dějiny Litomyšle a nejbližšího okolí především od osmnáctého století. Těžiště sbírky tvoří fondy historické (včetně etnografických), uměleckoprůmyslové, výtvarné umění, fotoarchiv a dokumenty archivní povahy. K početným či významným souborům náleží např. numizmatika, bývalá gymnaziální knihovna, lidový textil, sklo, sbírka cigaretových krabiček, kreslířká pozůstalost Q. Šimka a řada dalších.Zvláštní část sbírek tvoří archeologické nálezy, které pocházejí z celého regionu Svitavsko.Sbírkový fond RML obsahuje cca 70 000 sbírkových předmětů. Digitální dokumentace je zpracována přibližně k jedné třetině fondu (2008).

Most of the collection of negatives is from the period around 1900, and from the studio of photographer F. Simma. The collection is a valuable source for the study of the history about Jablonec nad Nisou district. It contains examples of folk architecture Jizerské mountains, streets of Jablonec and the surrounding municipalities in the early 20th century. There are almost all important buildings, religious buildings, cottages on the Jizerske mountains or pictures of glassmakers.

Collection includes these funds:archaeological, historical (maps, regional history, Marie Teinitzerová, Emmy Destinn, Marie Martínková, Jan Zeman), ethnographic numismatics, millitary, art ( sculpture, paintings, graphics-drawing), artistic craftsmanship (crafts, clocks, tin, ceramics, glass, porcelain, stone artifacts, furniture, printing plates, jewelry), books with regional themes, documents and publications (manuscripts, prints kramářské other prints, sheet music, postcards, holy pictures, regional Publications), negatives and slides, photography, technology.

Národní galerie v Praze v souladu se zákonem č. 148/1949 Sb. o Národní galerii v Praze shromažďuje, eviduje, trvale uchovává, odborně zpracovává a zpřístupňuje veřejnosti díla malířská, sochařská a grafická a díla z oblasti tzv. nových médií domácího i cizího umění od antiky po současnost a vědecky o nich bádá; je muzeem ve smyslu ustanovení § 10 odst. 6 zákona č. 122/2000 Sb. o ochraně sbírek muzejní povahy a o změně některých dalších zákonů.Dějiny Národní galerie v Praze se začaly psát roku 1796, kdy vznikla Společnost vlasteneckých přátel umění, která založila veřejně přístupnou obrazárnu. V roce 1902 přibyla k Obrazárně další významná instituce - Moderní galerie Království českého jako soukromá fundace císaře Františka Josefa I., která začala budovat kmenovou kolekci českého umění 20. století.V současnosti je NG v Praze organizačně členěna na tyto odborné složky: Sbírka starého umění, Sbírka umění 19. století, Sbírka orientálního umění; Sbírka moderního a současného umění a Sbírka grafiky a kresby, které spravují okolo 360.000 inventárních položek z různých oborů výtvarného umění a archeologie (orientální umění ze sbírky B. Hrozného).

The collection consists of digitised arts of František Kupka that are managed by Museum Kampa -Foundation Jan and Meda Mladek.

A collection of photographs and postcards contains photographic documentation of the towns, municipalities and places in the district of Decin and portraits of eminent personalities.

The basis of the 20th-century Czech art collection is a series of works acquired at the beginning of the 1960s. The museum’s founders and first collectors were enabled by the favourable social atmosphere of the day to create one of the finest collections of Czech modern art at that time in this country. Led by the attempt to reflect the development of art in its structured form and period context, their efforts focused on classical modernism of the 1920s and ’30s, the art of the war years, the emergence of new art groups at the end of the 1950s up to the contemporary trends of the 1960s. This stage of dynamic collecting activity was brought to an end by the hard-line post-1968 regime, accompanied by the replacement of the gallery’s administration. The continuity of the gallery’s collecting programme was thus irreversibly disrupted. During the 1970s and ’80s, the gallery’s collecting programme focused instead on forms of artistic traditionalism. The collection was enhanced with several high-quality acquisitions of 19th-century art, art from the turn of the 20th century and a series of examples drawn from realist trends. It also purchased works of tendential art, however, and art that was merely acceptable to the regime of the day. The supplementing of the collection with modern art stagnated.

The gallery is a specialist institution which, from 1953, has preserved, appreciated and brought to public attention Czech art of the 20th century through permanent and short-term exhibitions, aesthetic programmes and publishing activities within the spa environment of Karlovy Vary and its surroundings. Approximately one hundred of the most significant and valuable paintings and sculptures are on permanent display.

Collection contains religious icons since 17th century from Russia and Poland countries.

Collection contains digitized images of selected items from different collectioncs, including collections focused on Hussitism and president Dr. Edvard Beneš.

The collection includes works of free art and applied art in particular Czech and European context.

The collection includes a collection items focused on the evolution of modern Czech book's culture. Collections are divided into various funds according to the type of material - original illustrations, exlibris and occasional graphics, physical memories, plates, publishing correspondence, publishing posters.

Collection of glass art includes photography artworks (landscape and macrophotography) of Miroslav Matoušek.

Collections include digitized documents from literary archives (personal and corporatives) of The Museum of Czech Literature since the end of the 18th century till present.

The collection includes historical wooden betlehems made by anonymous woodcarvers since the end of the 18th century to the present.

The Wallachian Village occupies the largest area of the museum. Its construction began in 1962 and it has not stopped till now. Almost every year new dwelling-houses and farmhouses are built in locations reserved for this purpose beforehand. Individual buildings have been placed in different parts of the Wallachian Village with a remarkable sensibility to the character of the countryside.

Photo documentation describes selected collection items at The Museum of Decorative Arts in Prague.

Collection includes sets of 30 subcollections (archaeology, arts, photography, postcards, archive items) linked to the region of Nort-west Bohemia.

The collection contains mostly folk figurative woodcuts with religious themes for use in the interior as an expression of personal piety or in the outdoor as a magic protection of the building.

Digitalized archival documents from Archive of the Capital City Prague.

This digital collection presents part of the Benaki Museum collections that comprises many distinct categories totaling more than 40,000 items, illustrating the character of the Greek world through a spectacular historical panorama: from antiquity and the age of Roman domination to the medieval Byzantine period; from the fall of Constantinople (1453) and the centuries of Frankish and Ottoman occupation to the outbreak of the struggle for independence in 1821; and from the formation of the modern state of Greece (1830) down to 1922, the year in which the Asia Minor disaster took place.

Greek Photographers 1930-1970.

The collection contains prints by Greek and foreign artists.

The digital Pre-Columbian Art Collection is part of the collection which was donated by Georgios Gontikas and consists of objects belonging to the "Andean Civilisations" of South America. The general term "Andean Civilisations" encompasses the many cultural groups that inhabited the Andean mountain range, and had a common worship and technology. In this extensive territory three zones can be discerned: the North Andes (Colombia, Ecuador and a small part of Peru), the Central Andes (the high plateaux of Peru and Bolivia) and, in the south, the Chilean desert.Because there are very few surviving written sources, the conclusions of archaeological research provide valuable data for forming a picture of life in Pre-Columbian societies and of their exceptional, but still unknown, civilisation. The Pre-Columbian Art Collection illuminates many facets of peoples’ lives in Pre-Columbian America: technology, ceremonies, materials, clothing, rituals, and ideology. This is the only known Greek collection of objects from Central and South America, originating specifically from the civilisations of Ecuador, Peru, Costa Rica and Mexico. It includes more than 200 artefacts and an impressive group of 2,355 spindle whorls.Religion was a major factor of Pre-Columbian life; it was animistic, deifying natural forces, sacred sites and objects. Many of these forces were antithetical, although supplementary, since the religion was governed by the concept of dualism. Despite their individual differences, the devotional practices of Central and South America present common features, and demonstrate the reciprocal influence of symbols and religion between these two regions.Certain ceremonies included offerings to supernatural forces, whether "blowing" the spirit by smoking coca leaves on mountain peaks, or offering corn beer libations to the "Earth-Mother", known as "Pachamana" in the "Quechua" dialect, or making burnt offerings. Shamans and priests constituted a special social group associated with the aristocracy. As intermediaries between the real and the spirit world, shamans play a significant role in native societies to this very day.The principal source for identifying characteristic features of Pre-Columbian life, as vividly depicted by the objects in the Gontikas Collection, constitutes the recurring iconographic motifs. One observes that trophy-heads and priests (and/or shamans) dominate Nasca vessels, while elements of local flora and fauna adorn Ecuadorian spindle whorls. The cultural values of daily and ceremonial life were likewise reflected in art. Moche vessels demonstrate a preference for depicting battle scenes, prisoners, animals and plant themes, to which potters would lend human and divine features. Many animals, including the jaguar, puma, eagle and owl, were dominated by human spirits and forces. Deities were portrayed superbly, such as "Lord Sicán" and the "Anthropomorphic Mythical Being" of Nasca art. The collection is supplemented by works of the Colonial Period, such as the double pitcher, on which we recognise a combination of Pre-Columbian techniques with others that were introduced by the colonialists (glazing).

The Artistic Life Archive covers written items related to the Greek theatre, cinema and music of the 19th and 20th centuries. The collection comprises artists’ private archives, photographic material, programmes of events, accompanying records of ephemeral character, as well as self-contained and periodical publications of the corresponding thematic categories. The material in its entirety is a special section of the Archive Collection, the Photographic Archive and E.L.I.A.’s Library.

This archive contains 4 files comprising 45 records on the topics: “Eleftherios K. Venizelos”, “Portraits”, “Cretan Issue” and “Various”. It covers the late 19th and early 20th century.

The digital collection consists of photographs by Greek photographers covering the period 1975-2003.

A selection of 100 posters from the collection of the Greek Film Archive was digitised, having first been preserved and restored.Especially after the Second World War, Greek film production increased significantly, with posters created from studios of artists such as Nikos Nikolaidis, Giorgos Vakirtzis, Stefanos Almaliotis, Spyros Vasileiou, Andreakos and others, which, besides their advertising and informative function, they were works of art themselves.

The digital collection contains works of Post-Byzantine art, the school of the Ionian Islands and Greek Modern and Contemporary Art (19th-21st century) and a collection of European Art.

This archive contains 2 files comprising 370 records that cover the period 1910 – 1970. The first file contains portraits of Sophocles Venizelos and his private life and the second contains his social life.

Τhe Photographic Archive digital collection covers part of E.L.I.A.’s Photographic Archive and is accompanied by 48,000 digital pictures (positive and negative).The collection extends in time from the middle of the 19th to the end of the 20th century. The following are indicative of the wide range of subjects captured in the photographs: people, social and political reportage, views, architecture and the environment, art and science, education, work, landmarks in military and political history.

Ancient artifacts from Cyprus, covering a large chronological spectrum from the Chalcolithic period to late antiquity.

The collection contains drawings of Greek and foreign artists.

In the history of the Modern Greek visual arts, the Macedonian Museum of Contemporary Art represents a remarkable achievement of individual initiative. It is located in the centre of Thessaloniki and has been promoting contemporary art since it was founded in 1978.All these years the collection has been enriched with donations by distinguished collectors such Alexander Iolas, Franz Geierhaas, Alexander Xydis, and individual artists. The collection includes works by artists such as: A. Akrithakis, A. Apergis, C. Varotsos, Y. Zoggolopoulos, O. Zouni, V. Kaniaris, C. Tsoclis, N. Kessanlis, Y. Moralis, V. Velickovic, A. Warhol, Niki de St. Phalle, Takis. Today, the museum houses a collection of more than 1700 artworks including paintings, sculptures, video-art, constructions, installations, photographs and prints.The online digital collection is an on-going work and the online catalogue is continuously updated to reflect the museum’s latest acquisitions. Online visitors have the opportunity to get informed about exhibitions and cultural events at the museum as well as about its educational programs, and editions.

This archive contains 4 files comprising 410 records covering the period of the late 19th century to 1960. The first file contains portraits, the second contains photographs of Eleftherios Venizelos' private life, the third contains his social life and the fourth contains commemorative events in his honour as well as rich photographic material from his funeral.

This digital collection is part of the Benaki Museum’s Photographic Archives Department, which was established in 1973 to collect, preserve and document photographs of Early Christian, Byzantine and post-Byzantine art and architecture. Since then the Department’s original scope has gradually been extended to cover images of Greece and its culture, as well as its history and contemporary society. The Photographic Archives Department comprises 300,000 negatives and 25,000 original photographs dating from the 19th and 20th centuries. It was created through the purchase or donation of important collections, including those of the professional photographers Nelly's, Voula Papaioannou, Pericles Papachatzidakis, Dimitris Harissiadis, Nikolaos Rizos, Nikolaos Tombazis, as well as those of the amateur photographers Rena Andreadi, Stephanos Malikopoulos, Loukas Benakis, and Ioannis Charamis. The Department also contains the photograph collections of the Byzantinologist Laskarina Boura, the architect Maria Zagorisiou, and the writer Elli Papadimitriou. The Photographic Archives Department is open to all researchers. For their assistance a card catalogue of 50,000 prints was compiled based on subject matter and location. Moreover, there are plans create a complete electronic catalogue of the entire collection in the near future.

The digital collection consists of 250 digitised covers, from the collection of Greek cinema magazines held in the Greek Film Archive. The collection includes some of the most important magazine publications of this kind and covers a period of 6 decades, from 1925 to 1975.

The digital collection depicts part of The Nikos Hadjikyriakos-Ghika Gallery, donated to the Benaki Museum by the distinguished Greek painter Nikos Hadjikyriakos-Ghika during his lifetime. Since 1991 it has functioned as an annex of the Museum. The permanent exhibition of his works was selected and arranged by the artist himself, and is housed in the apartment block situated on 3 Kriezotou Street in Athens, where the artist resided for forty years.Works, representing every aspect of Hadjikyriakos-Ghika’s oeuvre, are displayed in this space. The main body of the exhibition comprises oil paintings, the earliest dating to 1930 and the latest to 1990. There are also watercolours, drawings, stage and costume designs, tapestries, manuscripts and the artist’s tools. A complete series of sculptures and reliefs inspired by Greek mythology and dating to the period 1940-1970 are likewise on display.The Gallery also houses the important photographic archive collected by Nikos Hadjikyriakos-Ghika. This comprises a large indexed collection of black-and-white and coloured prints and negatives, which offers a valuable insight into the artist’s life and work.The artist’s library, with its rare illustrated volumes, its carefully chosen ornaments, and its antique furnishings from the artist’s ancestral home on the island of Hydra, gives a good indication of his skill and personality. Likewise, his aesthetic sensibilities are immediately obvious in the arrangement of his home and studio, both of which have been preserved exactly as they were during his lifetime.The Nikos Hadjikyriakos-Ghika Gallery is temporarily closed to the public due to conservation and reconstruction works on the building. When these works have been completed, the artist’s residence, studio and the Art Gallery that contains his works will continue to function as permanent exhibition areas; the remaining areas will be made available to promote the modern Greek painting of the 1930s generation and to house a library specialising in art history.

The collection covers a wide range of contemporary print works from the members of the Greek Printmakers’ Association, a non profit institution, founded in 1987 by a group of artists aiming at promoting the art of printmaking.

The Maria Argyriadi donation is the core of the Department of Childhood, Toys and Games, which was founded in 1991, and this digital collection is only a small part of it.The Department's collections include 20,000 toys, games and childhood items, from antiquity to 1970, originating not only from Greece and the broader Greek world, but from Europe, America, Africa and the East as well.The department’s primary aim is to document all aspects of the themes "childhood", "game" and "toy", by studying the history of toys in Greece and Europe, and children’s daily life in a traditional Greek context as well.The collection’s Greek section comprises infants' and children's toys spanning the classical, Roman, Byzantine and post-Byzantine periods. They include hand-made traditional Greek toys dating from the 18th to the 20th century, articles from country festivals, 20th century commercial products, team sports, board games, and seasonal games.A separate group of objects includes reconstructions of popular toys, from the beginning of the 20th century, made by members of the K.A.P.I. (Centres for the Open Protection of the Aged).The European part of the collection comprises dolls and games of urban and rural manufacture dating from the 17th to the 20th century, mainly from England, France and Germany. There is also a selection of 19th and 20th century European regional costume dolls dressed in costumes from different parts of Greece.A specialist library open to all interested parties includes 3000 books and studies relating to children and toys, archival sources, photographs, information about Greek manufacturers, and works on children's literature and education, as well as general reference works.The collection of children’s Toys and Games, as well as a rich archival material, will be housed in the Kouloura Building.

Department III: Prints, Drawings and Watercolours is one of the largest, oldest, and in terms of iconography one of the most important museum collections of its kind in Poland. It was set up on the basis of collections taken from departments established by the first museum statute of 1883 (Drawings and Watercolours, Prints and Reproductions, Architectural Sections and Plans, and Memorabilia of Adam Mickiewicz).

Selected works from the collection of Museum of Wilanów Palace in Warsaw.

Applied and decorative objects made from various ceramic bodies (clay, maiolica, faience and faience fine, stoneware, porcelain) in workshops, manufactures and factories functioning in all Europe as well as African and Asian coast of Mediterranean Sea, dating back from antiquity to about 1930s.

A collection of the most precious objects of sacred art:- “Lamentation” painting from about 1450, tempera on wood, an outstanding example of Lesser-Poland panel painting. It blends features of international and “broken” style. It is published in the most important studies on Polish Gothic art next to Lamentations from Chomranice and Czarny Potok. It comes from church of the Holy Cross in Żywiec (14th century).- The Virgin and Child with St Anne from about 1380, wooden sculpture, polychromed, precious example of Silesian sculpture. It comes from church of the Holy Cross in Żywiec (14th century).- Sculptures “Saint Catherine” and “Saint Barbara” dating back to the beginning of 16th century, coming from chapel of St Vitus in Stary Żywiec.- “Virgin Mary Enthroned with a Child” (Madonna with a Wild Strawberr), painting from about 1460 - 1477- Virgin Mary with SS. Andreas and Peter (“Sacra Conversazione”), Gothic painting dating back to beginning of 16th century, tempera on wood, fragment of triptych.It comes from Łekawica.- Virgin Mary with SS. Nicolas and Stanislas (“Sacra Conversazione”), Gothic painting dating back to beginning of 16th century, tempera on wood, fragment of the triptych. It comes from Łekawica.- “Resurrection of Lazarus”, painting from about 1560, tempera on wood, comes from the church of the Holy Cross in Żywiec.- “Christ and St. Veronica” from about 1550, tempera on wood, comes from the church of the Holy Cross in Żywiec

Collection from the Ossolinski National Institute and includes: Polish colour litography of the first three decades of 20th century; miniature portraits of ZygmuntSowa-Sowiński; photographs of Jadwiga Nowak-Jeziorańska; treasure of culture in the Ossoliński National Institute; documents of social life and catalogue of exhibition "Rembrandt and Dutch masters of drawing (15-17th c.)" http://www.oss.wroc.pl/zbiory.htm

Wybrane dzieła z kolekcji Muzeum Pałacu w Wilanowie

Katalog realizowany przez Konsorcjum Bibliotek Łódzkich. Umożliwia dostęp www do zasobów bibliotek łódzkich :Uniwersytetu Łódzkiego,Politechniki Łódzkiej,Uniwersytetu Medycznego,d. Wojskowej Akademii Medycznej,Akademii Muzycznej,Akademii Sztuk Pięknych,Państwowej Wyższej Szkoły Filmowej, Telewizyjnej i Teatralnej,Wyższego Seminarium Duchownego orazbiblioteki Centrum Badań Molekularnych i Makromolekularnych PAN w Łodzi,Wojewódzkiej i Miejskiej Biblioteki Publicznej im. J.Piłsudskiego,biblioteki Instytutu Medycyny Pracy.Koordynatorem projektu jest Politechnika Łódzka. Katalog dostępny pod adresem http://www.biblioteki.lodz.pl/

Collection composed of following sets: the largest - German graphics (over 5000 works covering period from about 1498 to early 20th century), French graphics (1286 works from 16th to early 20th century, inlcuding engravings from 17th and 18th cent. by Abraham Bosse, Jacques Dassonneville, Robert Nanteil Pierre Le Pautre), Italian (about 1300 works from 16th to 19th century, with 50 copperplates by Marcantonio Raimondi, set of over 350 works by Stefano della Belli (17th cent.) and over 30 works by Francesco Bartolozzi (18th cent.), English (over 400 works, mainly from 2nd half of 18th cent. in great variety of rare techniques), Dutch and Flemish graphics (over 400 works, mainly from 17th century).

A collection of modern sculpture is one of the largest in Poland and is composed of the objects created from beginning of 16th until end of 18th century. Fundamental part of collection consists of figural representations, which once were the part of church interior decorations, so the most part are sacred works. Wood-carved objects form most of the collection.

Selected works from collection of artistic photography (from 1839 to 2003).

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Modest collection, which doesn't include works of many outstanding Polish sculptors, or their activity. The collection only signalises the most important issues and tendencies in Polish sculpture of the period from 2nd half of 19th century until middle 20th century. It is a valuable complement to the permanent exhibition of Polish painting in National Museum.

Selected elements of the collection of the Department IV - Decorative Art and Material Culture.The decorative art artefacts collected by the National Museum since 1984 include both Polish and foreign objects (which are usually associated with Poland in some way). The size of the collection and its wealth of valuable museum pieces make it one of the most important large collections of decorative art in Poland.

Collection of recovered works of art, previously recognized as lost. They were reclaimed thanks to help of Polish embassies, Government Plenipotentiary for Polish Cultural Heritage Abroad and private persons.

Liczna kolekcja dzieł malarzy lwowskich: portretów epoki biedermeieru (Reichan, Schweikart), obrazów historycznych i rodzajowych romantyków, postromantyków (Michałowski, Leopolski, Grottger), wzbogacona niewielkim zespołem portretów sarmackich (m. in. rody Mnischów, Ossolińskich, Wiśniowieckich, Sanguszków). Reprezentatywna kolekcja dzieł modernistów (Malczewski, Wyczółkowski, Wyspiański, Wojtkiewicz, Ślewiński). Najcenniejsze, najczęściej wypożyczane oraz publikowane obrazy z kolekcji.

Department II - Modern Polish Painting and SculptureWhile a substantial part of its resources is stored in the Main Building, Department II has a sub-department in the Sukiennice. Its curatorial scope comprises paintings by celebrated Polish artists from the late 18th century up to around 1900. Works such as sketches and preliminary studies can help reconstruct the studios of painters active outside this country: Artur Grottger, Henryk Siemiradzki or Aleksander Gierymski. Part of the same collection are works of lesser-known artists associated with the KraKow art circles of the 19th century. A selection of their most important pictures are on public view in the Gallery.

Najcenniejsze eksponaty kolekcji malarstwa z terenu Śląska 1520-1800.

Od 1998 roku rozpoczęto tworzenie komputerowej bazy wydawnictw zwartych i ciąłych z katalogiem OPAC w systemie VTLS.Aktualnie baza komputerowa liczy: Rekordy bibliograficzne:102 311Rekordy zasobu czasopism: 2 374

W zespole przeważają rysunki XIX-wieczne ze szkoły niemieckiej, prace reprezentujące szkoły: holenderska, francuską i włoską stanowią pojedyncze przykłady.

Katalog daje jednoczesny dostęp do informacji o zbiorach pięciu lubelskich bibliotek naukowych: Biblioteki Głównej Uniwersytetu Marii Curie-Skłodowskiej, Biblioteki Uniwersyteckiej Katolickiego Uniwersytetu Lubelskiego, Wojewódzkiej Biblioteki Publicznej im. H. Łopacińskiego, Biblioteki Politechniki Lubelskiej i Biblioteki Głównej Akademii Rolniczej w Lublinie. Umożliwia równoczesne wyszukiwanie we wszystkich pięciu katalogach. Dzięki temu można szybciej zlokalizować poszukiwane pozycje. Możliwe jest także wyszukiwanie w katalogu jednej, wybranej biblioteki. Złożenie zamówienia jest możliwe tylko poprzez połączenie się z katalogiem wybranej biblioteki, zgodnie z zasadami w niej obowiązującymi.

Militaria, laka, ceramika, metale

Selected works from the collection of Palace Museum at Wilanów in Warsaw.

Photographic reproductions of graphic works, drawings, gouaches and watercolours of the most outstanding Polish and foreign artists of 20th and 21st century.

A digital collection containing one of the best - not only in Poland, but also in Europe – collections of works of Romanesque and Gothic art and Gothic painting, created in Silesia in period from 1st half of 12th century to 1st quarter of 16th century; the collection is rich in numerous outstanding artworks, thus illustrates development of artistic production of the region.

Zbiory z okresu wczesnego średniowiecza pochodzą z przeszło 800 stanowisk położonych w ponad 600 miejscowościach na terenie Mazowsza i Podlasia.

Baza jednostek bibliograficznych, tworzących “Bibliografię Lubelszczyzny” w programie MAK w formacie MARC BN (2000-2004) i MARC-21 (2005-2006), zawierająca opisy wprowadzane i uzupełniane na bieżąco od 2000 r. Baza liczy obecnie 29 846 opisów (stan na 31.12.2008 r.). http://hieronim.wbp.lublin.pl/cgi-bin/makwww.exe

Kolekcja obrazująca proces artystycznego i estetycznego kształtowania druków, głównie książki polskiej, od XIX w. po współczesność, a także pokazująca wybrane obiekty z zakresu szeroko rozumianej „sztuki książki” (np. książki-przedmioty itp.). Kolekcja cyfrowa obejmuje nabytki z ostatnich lat oraz wybrane obiekty z pozostałej części zbiorów.

Zespół obejmuje rysunki artystów polskich działających w XIX w. i na pocz. wieku XX.Najliczniejszy jest zbiór prac Edwarda Duczyńskiego (ok. 200) oraz Jacka Malczewskiego (ok. 100), mniej liczne, ale niezmiernie ważne zbiory rysunków Jana Matejki, Piotra Michałowskiego, Artura Grottgera, czy Juliusza Kossaka.

Paintings executed in oil, tempera as well as watercolours and pastels. Collection is divised into groups according to topographic and historic criteria: painting of Romance countries, Dutch painting, painting of the Habsburg Empire from 16th to 18th century, German painting from 2nd half of 18th to early 20th century.

Zespół zawiera jedną płytę francuskiego autora, jedną - włoskiego, kilka artystów polskich; pozostałe reprezentują szkołę niemiecką, a tematycznie związane są w większości z Wrocławiem.

A collection of sculptures, created in various parts of Europe since the end of 18th century until middle of 20th century. The collection illustrates the most important stylistic tendencies in the 19th- and 20th-century sculputre. It especially represents works of artists from Wrocław and those connected with Silesia. Single outstanding works by Ch.D. Rauch and G. Kolbe can be also found here.

Na kolekcję Państwowego Muzeum Archeologicznego składają się eksponaty z okresu od paleolitu, przez epokę brązu i żelaza do wczesnego i pełnego średniowiecza. Osobne grupy tworzą eksponaty związane z ziemiami bałtyjskimi, numizmatyczne oraz antropologiczne.

Selected works from the collection of Museum of Wilanów Palace in Warsaw.

Na zbiór składają się rysunki śląskie: szkice, pejzaże, widoki, fragmenty architektury Śląska i Wrocławia.

Small collection, not representative for Polish graphic art. Best represented are artists active at the turn of 19th and 20th century. Remarkable sets are those of Wanda Korzeniowska (85 works) and Kazimierz Sichulski (55 works). Greater part of 19th-century graphics consists of litographical views by Maksymilian Fajans (ca 140), while 18th century is represented almost exclusively by "adopted" French artist, J.P.Norblin (ca 50 works).

Druki zwarte i czasopisma wpływające od 1994 oraz sukcesywnie zbiory wcześniejsze